• Harry Potter And The Deathly Hallows 1st Edition
• Harry Potter And The Deathly Hallows 1 Installer Code
• Harry Potter And The Deathly Hallows 1 Rotten Tomatoes

The midnight bookstore parties are all in the past, and, with the opening of the first half of the film adaptation of “ and the Deathly Hallows,” an extraordinary pop-culture cycle is on the verge of completion.

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was published in America in 1998 — a lifetime ago for many young readers, just yesterday for their parents — and that tale and its six sequels now seem like permanent fixtures of the literary landscape. Under the spell of ’s prose, a great many middle-aged readers were temporarily changed into 10-year-olds. That none of the movies have demonstrated quite the same power makes it easy to underestimate their success. But in the past decade more than a few promising franchises based on popular book series have failed to turn loyal readers into enthusiastic audiences or to bring in legions of new fans. Their fate (think of and ) suggests that the perennial appeal of “Harry Potter” on screen was hardly a foregone conclusion.

So by now it is beyond doubt that will attract the passionate, the curious and the nostalgic in large numbers. And they are likely to be pleased. David Yates, who directed the fifth and sixth installments in the series, has shown a knack for capturing and quickening Ms. Rowling’s storytelling rhythm. He has also demonstrated a thorough, uncondescending sympathy for her characters, in particular the central trio of Ron Weasley, Hermione Granger and Harry himself.

In this chapter their adventures have an especially somber and scary coloration, as the three friends are cast out from the protective cocoon of Hogwarts School of Witchcraft and Wizardry into a bleak, perilous grown-up world that tests the independence they have struggled to obtain under the not-always-benevolent eyes of their teachers. Childish things have been put away — this time there is no quidditch, no school uniforms, no schoolboy crushes or classroom pranks — and adult supervision has all but vanished. Albus Dumbledore is dead, and though Hagrid (Robbie Coltrane) and Alastor Mad-Eye Moody (Brendan Gleeson) offer some assistance early on, Harry and his companions must rely on the kindness of house elves, on their own newly mastered wizarding skills and, above all, on one another.

Complete plot summary of Harry Potter and the Deathly Hallows, Part 1, written by specialists and reviewed by film experts. Harry Potter and the Deathly Hallows Part 1 Harry, Ron and Hermione walk away from their last year at Hogwarts to find and destroy the remaining Horcruxes, putting an end to Voldemort’s bid for immortality.

This is not always so easy. The implicit rivalry for Hermione’s favor that has always simmered between Harry () and Ron (Rupert Grint) bubbles to the surface, as does Ron’s resentment at being the Chosen One’s sidekick. The burden of chosenness weighs on Harry as well; it is easier for him to accept being singled out for death by Lord Voldemort than to countenance the willingness of his allies and protectors to sacrifice their lives for him. Hermione (), for her part, seems lonelier than ever. She has broken entirely with her Muggle parents, expunging herself from their memories to prevent them from being caught up in an increasingly vicious intrawizard civil war. Hindi actress names with photos.

For most of this film Voldemort’s forces are very much in the ascendant. The production design is dense with visual allusions to 20th-century totalitarianism, while the battered and dispersed good guys carry some of the romance of guerrilla resistance, taking to the countryside and living rough as they search for weak spots in their enemy’s strategy. They also pop into nonmagical neighborhoods of London, visits that add a jolt of realism to this fantasy. The brilliant composer Alexandre Desplat has constructed a haunting, spooky sonic atmosphere with only an occasional splash of youthful whimsy.

Not that “Deathly Hallows” is grim, exactly. But it is, to an unusual and somewhat risky degree, sadder and slower than the earlier films. It is also much less of a showcase (or bank vault, as the case may be) for the middle and senior generations of British actors. Many of the familiar faces show up — including as Voldemort, Helena Bonham Carter as Bellatrix LeStrange, and, of course, as Severus Snape — but they move along after a scene or two. So do the two notable newcomers, Bill Nighy as a government official and Rhys Ifans as Xenophilius Lovegood, a wondrously eccentric underground journalist and father to the ethereal (and in this movie, briefly glimpsed) Luna (Evanna Lynch).

Harry Potter And The Deathly Hallows 1st Edition

Create beats for free online. The movie, in other words, belongs solidly to Mr. Radcliffe, Mr. Grint and Ms. Watson, who have grown into nimble actors, capable of nuances of feeling that would do their elders proud. One of the great pleasures of this penultimate movie is the anticipation of stellar post-“Potter” careers for all three of them.

While there is still one more film to go (Part 2 is scheduled for release in July), this one manages to be both a steppingstone and a reasonably satisfying experience in its own right. Some plot elements are handled with busy, “DaVinci Code”-like mumbo jumbo as the three friends must hunt down not only a bunch of horcruxes, but also the mysterious objects alluded to in the title. The deathly hallows at least provide the occasion for a lovely animated sequence, much as the inevitable preliminary battle scenes allow for episodes of explosive wand work. Even though it ends in the middle, “Deathly Hallows: Part 1” finds notes of anxious suspense and grave emotion to send its characters, and its fans, into the last round. The sorrow you experience may well be a premonition of the imminent end of a long and, for the most part, delightful relationship.

“Harry Potter and the Deathly Hallows: Part 1” is rated PG-13 (Parents strongly cautioned). Dark arts, rough magic.

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Harry Potter and the Deathly Hallows Part 1

Harry Potter And The Deathly Hallows 1 Installer Code

Opens on Friday nationwide.

Directed by David Yates; written by Steve Kloves, based on the novel by ; director of photography, Eduardo Serra; edited by Mark Day; music by Alexandre Desplat; production design by Stuart Craig; costumes by Jany Temme; produced by David Heyman, David Barron and Ms. Rowling; released by Warner Brothers Pictures. Running time: 2 hours 26 minutes.

Harry Potter And The Deathly Hallows 1 Rotten Tomatoes

WITH: (Harry Potter), Rupert Grint (Ron Weasley), (Hermione Granger), Helena Bonham Carter (Bellatrix LeStrange), Robbie Coltrane (Rubeus Hagrid), (Lord Voldemort), Michael Gambon (Professor Albus Dumbledore), Brendan Gleeson (Alastor Mad-Eye Moody), Richard Griffiths (Vernon Dursley), John Hurt (Ollivander), Rhys Ifans (Xenophilius Lovegood), Jason Isaacs (Lucius Malfoy), Bill Nighy (Rufus Scrimgeour), (Professor Severus Snape), Fiona Shaw (Petunia Dursley), Timothy Spall (Wormtail), Imelda Staunton (Dolores Umbridge), David Thewlis (Remus Lupin), Warwick Davis (Griphook), Tom Felton (Draco Malfoy), Toby Jones (Dobby), David Legeno (Fenrir Greyback), Simon McBurney (Kreacher), Helen McCrory (Narcissa Malfoy), Nick Moran (Scabior), Peter Mullan (Yaxley), David O’Hara (Albert Runcorn), Clémence Poésy (Fleur Delacour), Natalia Tena (Nymphadora Tonks), Julie Walters (Molly Weasley), Mark Williams (Arthur Weasley) and Bonnie Wright (Ginny Weasley).

• DirectorDavid Yates

• WriterSteve Kloves

• StarsDaniel Radcliffe, Emma Watson, Rupert Grint

• RatingPG-13

• Running Time2h 26m

• GenresAdventure, Family, Fantasy, Mystery

• Movie data powered by IMDb.com
  Last updated: Nov 2, 2017

• Maturing performances are a bonus, but the show's the thing, and by now it seems much richer than any theme park that could ever be made from it.
• Part 1, like its predecessors, has been made with great care, craft and attention to detail. It is also darker and more foreboding.
• The trouble with Harry, as becomes clear from this seventh and penultimate installment, is not that we have lost the plot -- the film is as tangled and as corkscrewed as Bonham Carter's hair -- but that we are in danger of losing everything else.
• There is much to love in the latest offering from the Potter franchise.

• St. Louis Post-Dispatch

  19/11/2010 by Joe Williams

  Harry Potter and the Deathly Hallows: Part 1 is slower and stranger than any of the previous films, simultaneously raising hopes for a haunting finale while dimming hopes for a magical one.
• By any measure, Deathly Hallows is a ripping thriller.
• This one is a long, archetypal journey that screeches to a halt a few stops short of its destination.
• Beautifully shot but a soulless cash machine, 'Harry Potter and the Deathly Hallows: Part 1' delivers no dramatic payoff, no resolution and not much fun.

• Wall Street Journal

  18/11/2010 by Joe Morgenstern

  Every two minutes the action whooshes sideways to someone somewhere else.

• Minneapolis Star Tribune

  18/11/2010 by Colin Covert

  Radcliffe, Watson and Grint, having literally grown up in their characters, are ready for their close-up. They earned it, they deserve it and they nailed it.
• Menacing and meditative, Hallows is arguably the best installment of the planned eight-film franchise, though audiences who haven't kept up with previous chapters will be hopelessly lost.
• Deathly Hallows I actually manages to be involving and kind of artful about the boredom and loneliness of heroism.
• There's plenty of humor, plenty of magic and even a bit of romantic stress, although there's also quite a bit of mulling and standing about.
• The truth is that this film is mostly plain work, done by rote, like any introductory potions class. The real fun -- and thrills and tears -- come next year.
• The three young leads -- especially Emma Watson, who can do more with a still face than any actress her age -- are all terrific.
• An awkward mating of action-fantasy and a self-reflective indie movie.
• Like a virgin's padded bra, Harry Potter and the Deathly Hallows, Part I is all tease, zero payoff.
• Even though it ends in the middle, Deathly Hallows: Part 1 finds notes of anxious suspense and grave emotion to send its characters, and its fans, into the last round.
• Alas, as directed by the returning David Yates, these big chase sequences are the usual compendium of ear-splitting noise and eye-glazing edits -- again, no magic required and none delivered.
• The seventh and penultimate entry in the franchise jettisons the humor and fizz of the earlier movies for a much bleaker adult tone.